MARUTI ZEN CAR COMPLETES 30 YRS IN 2023.

 MARUTI ZEN CAR COMPLETES 30 YRS IN 2023.

 MARUTI  ZEN CAR

It's been 30 years since Maruti launched the Zen in 1993.

The Maruti Suzuki Zen is a 5-door hatchback produced and sold in India by Suzuki's Indian subsidiary Maruti Suzuki from 1993 until 2006; it is a widened version of the Suzuki Cervo Mode. The word "ZEN" is an acronym standing for Zero Engine Noise. It also stands for the Japanese word "Zen" which means 'Complete'. The Indian-built Zen was also exported to other countries as the Suzuki Alto.

 The First generation Zen:

 Based on the Suzuki Cervo, the first generation Maruti Suzuki Zen was introduced on 21 May 1993 (MH410). While it looks very similar to the Cervo Mode, it has a lot of unique sheetmetal as it is ten centimeters longer and ten wider. In Europe and many other export markets, the car sold as the Suzuki Alto. Zen used an all aluminium engine Suzuki G10B engine which produced 50 BHP of power at around 6500 RPM. Also the Zen which was sold as Suzuki Alto 1.0 in Europe came with a G10B 8-valve engine which produces 54 PS (40 kW) at 6500 rpm and 74 N⋅m (55 lb⋅ft) of torque at 4500 rpm. The engine head & spares are exactly identical to the Zen Carburettor MH410 model Indian version slightly detuned.

There was a minor facelift in 1997 with body coloured bumpers. In 1999, Zen Classic with retro looking front and rear was launched, but was soon discontinued due to lack of demand.

In 2000, Maruti introduced a 16 valve MPFI engine with 4 valves per cylinder. Power output went up by 10 HP to 60 BHP. Its cost (of the Zen LX model) was around Rs 3,40,000 in India. A diesel version of Zen was launched in 1998 with the Peugeot's TUD5 (PSA TU engine) engine. This model did not sell well and was discontinued. In 2004 Zen underwent a facelift with new body which was called Zen Tiger.

The Zen underwent a facelift in 2003. A three-door version of the Zen in VXi segment was launched, priced at 5.0 Lakh (ex-showroom, New Delhi). It was only available in Black (Zen Carbon) 300 nos or Silver (Zen Steel) 300 nos, cars. In 2006 the second generation (Zen Tiger) was discontinued.

Second generation Zen:

The second generation Maruti Suzuki Zen, called the Zen Estilo was introduced in December 2006 as a part of Maruti Suzuki's Indian market strategy to launch a new car annually for the next five years. The Zen Estilo had the same engine and chassis as the Maruti Wagon R; both being based on the Suzuki MR Wagon (Nissan Moco).The pricing was also nearly the same as the Wagon R. The Maruti Suzuki Alto (model prior to Alto K10), Wagon R (till Aug 2010) and the new Zen Estilo all shared the same chassis. In 2009, along with a minor facelift, Maruti Suzuki dropped the Zen branding from the name.

Reception:

The Zen was a very successful model for Maruti Suzuki both in India and abroad. It was called India's first world car and was exported to Europe as early as 1994. Besides being exported to Europe from 1994 to 2004, it has also been exported to several other countries. The Zen quickly became a hit with the Indian Racing Scene with highly modified versions of the 993 cc G10B engine topping 100+ Bhp.

The Zen was the first fun to drive hatchback in the Indian market. It was a driver oriented car with low seating and go kart like handling. The car was very reliable and it is possible to find many good examples of Zen still in use. The Zen still commands a relatively high resale value on the used car market.

Technical specifications:

This section is in list format but may read better as prose. You can help by converting this section, if appropriate. Editing help is available. (November 2015)

Trim levels at launch badged as MH410 later as LX, LXi, VXi and D,Di The Maruti Suzuki Zen has a four-cylinder in-line all aluminium engine mounted transverse and using Carburetor/MPFI Carburetor Valvetrain is 2 Valves/Cylinder SOHC with Displacement of 993CC Max Power is 50bhp at 6500rpm and Maximun Torque 7.2 kgm at 4500rpm. Compression Ratio 8:8:1 MPFI valvetrain is 4 valves/cyl, SOHC with a displacement of 993 cc. Max Power is 60.9 PS (45 kW; 60 hp) at 6000 rpm and max torque is 78.48 N⋅m (57.88 lb⋅ft) @4500 rpm. It has a 5 speed manual transmission.

Maruti Suzuki Zen:

Overview Production:  1993–2006

Assembly:Gurgaon, Haryana, India

Body and chassis :Class     City car (A)

Bore x Stroke: 72.0 mm (2.8 in) x 61.0 mm (2.4 in)

Comp Ratio: 9.4 (+/- 0.2):1

Drive train:

Front brakes: 182 mm (7.2 in) disc

Rear: 180 mm (7.1 in) drum

Type: Hydraulic, vacuum assisted

Wheels F/R: 4Jx13,4.5Jx13 (carbon/steel) and 4Jx12”

Tyres: 145/70/R13 (Earlier Petrol and Diesel variant) and 145/80/R12 (Petrol variant)

In Zen 155/65/13, Measurements are best to upsize tyres in petrol and diesel variant too (not touches the body of car from top while there is load in car and sides while turning the steering and there is no need to make changes in suspension system) and not effects the mileage

Steering: Rack and pinion, First EPS from Maruti appeared in Zen.Electric Power assist Turning circle dial: 3.9 m (13 ft) Turns lock to lock: 9.8

Suspension:

Front: Independent, MacPherson strut, coil springs

Rear: 3 link rigid axle with isolated trailing arm, coil spring and gas filled shock absorbers

General data

Kerb weight: 765 kg (1,687 lb)

Wheelbase: 2,335 mm (91.9 in)

Track (F/R) 1335/1305 mm

L/W/H: 3465/1495/1405 mm

Ground clearance: 165 mm (6.5 in)

Accommodation: Seating capacity: 5

Fuel economy

Overall:+ 14 kmpl

City: 12.0 kmpl ( with AC )

Highway: 16.21 kmpl

Worst: 10.9 kmpl

Fuel Tank Capacity: 35 litres

Range: 528.5 km

+ is 75% city driving and 25% highway driving

Chronology Successor:        Maruti Suzuki Estilo/Zen Estilo

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Maruti Zen

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Maruti Suzuki Zen

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“Jailer” of Rajnikant broke all records : Second Tamil film to cross ₹600 Cr mark

“JAILER” of Rajnikant broke all records : Second Tamil film to cross ₹600 Cr Mark

Tamil Film “JAILER”

Jailer is a 2023 Indian Tamil-language action comedy  film directed by Nelson Dilipkumar  and  produced  by Kalanithi Maran of  Sun  Pictures. The  film  stars Rajinikanth  in the lead role, alongside Vinayakan, Ramya Krishnan, Vasanth Ravi, Tamannaah, Sunil, Mirnaa Menon and Yogi Babu in supporting roles.

Jailer was released theatrically on 10 August 2023 in eight languages as Tamil, Hindi, Marathi, Bangla,Telugu, Kannada,Malayalam & Persian . The  screenplay, direction, castings, characterisation and background score are praise worthy. The film grossed around ₹ 564–602 crore  worldwide, making it the third highest-grossing Indian film of 2023 as well as the third highest-grossing Tamil film.

Storyline:

Muthuvel Pandian is a retired police officer who lives in Kodambakkam with his family. Muthuvel's son, ACP Arjun, is investigating Varman, an eccentric gangster who smuggles idols of Gods and sells them to buyers overseas, operating from his base of operations in Arakkonam. Arjun confronts Varman's henchman, Seenu, and demands him about the whereabouts of Varman. As Arjun gets closer to nabbing Varman, he suddenly goes missing and the police department spreads word that he may have committed suicide to cover up that he was probably killed by Varman. Grieving the loss of his son and partly blaming himself for raising him to be honest and fearless, Muthuvel goes after Seenu and murders him, disposing of the body with the help of a local taxi driver Vimal.

Varman’s men make an attempt on Muthuvel's grandson, Rithvik, despite Muthuvel convincing Varman to leave him and his family alone. Enraged, Muthuvel decides to fight back and visits Narasimha, a reformed criminal living in Mandya, who loans him four of his sharpshooters. With the help of Narasimha’s men, Muthuvel blackmails and humiliates Varman, who then has a Bihari gangster, Kamdev, send people to kill Muthuvel and his family at his home, only for them to be gunned down. After discovering Varman's target to be Muthuvel, Kamdev reveals to him that Muthuvel was once the ruthless and charismatic jailer of Tihar prison, who was also known as "Tiger" Muthuvel Pandian. He disciplined the criminals harshly but also helped them reform, gaining a massive network of allies, including Kamdev. Muthuvel corners Varman in his base, but he reveals to him that Arjun is still alive and threatens to kill him. Both of them ultimately arrive at a compromise: Varman will release Arjun in return for a famous antique crown that is currently secure in a temple in Mangalagiri, Andhra Pradesh.

Muthuvel plans a heist involving the Telugu actor, Blast Mohan, who is a trustee of the temple where the crown is held. Despite various deceptions and with the help of a smuggler in Mumbai named Mathew, Muthuvel eventually comes into possession of the crown and sends it back to Varman, but it is later revealed that the crown he sent was a fake. Varman frees Arjun, who reveals himself as a corrupt police officer that wants to be cut in on Varman's operations, willing to kill his own father for money. However, the fake crown also conceals a hidden camera and their entire conversation is recorded and seen by Muthuvel. He attacks Varman's hideout with Kamdev, Vimal, and his allies, killing Varman and his men, while Narasimha protects Muthuvel's family and Mathew destroys Varman’s smuggling operations. Muthuvel gives Arjun one last chance to surrender; however, he refuses and attempts to kill him. Arjun is instead shot and killed by Narasimha's men, while Muthuvel solemnly walks away.

Cast:

Rajinikanth as "Tiger" Muthuvel Pandian

Vinayakan as Varman

Ramya Krishnan as Vijaya "Viji" Pandian, Muthuvel's wife

Vasanth Ravi as ACP Arjun Pandian, Muthuvel and Viji's son

Tamannaah as Kaamna

Sunil as Blast Mohan

Yogi Babu as Vimal

Mirnaa Menon as Swetha Pandian, Arjun's wife

Harshad as Dhanraj

Kishore as Jaffar

Jaffer Sadiq as Dokinath

G. Marimuthu as Panneer

VTV Ganesh as Dr. S. Dhandapani

Redin Kingsley as Divya Nathan

Saravanan as Seenu

Aranthangi Nisha as Inspector G. Kanagalakshmi

Padam Kumar as Raja Rao

Makarand Deshpande as Sikandar Singh

Karate Karthi as Sanju

Sugunthan as Narasimha's henchman

Billy Muralee as Panju

Pavel Mani as Seenu's masseur

Sooraj Pops as Varman's henchman

&  others

Cameo appearances:

Mohanlal as Mathew

Shiva Rajkumar as Narasimha

Jackie Shroff as Kamdev

Jani as himself in the song "Kaavaalaa"

The overall rating of this Movie is 5/5. 

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JAWAN: HIGH-OCTANE ACTION THRILLER RELEASING ON 7th SEPT

JAWAN: HIGH-OCTANE ACTION THRILLER RELEASING ON 7^th SEPT

JAWAN: HIGH-OCTANE ACTION THRILLER

Jawan  is an upcoming Indian Hindi-language action thriller film co-written and directed by Atlee, his first Hindi film. The movie will be released in Hindi, Tamil & Telagu languages. Produced by Gauri Khan and Gaurav Verma under Red Chillies Entertainment. A high-octane action thriller which outlines the emotional journey of a man who is set to rectify the wrongs in the society. The film stars Shah Rukh Khan in a dual role, alongside Nayanthara, Vijay Sethupathi, Deepika Padukone (as a special appearance), Priyamani and Sanya Malhotra.

The film's soundtrack and background music  composed by Anirudh Ravichander, with cinematography by G. K. Vishnu and editing by Ruben.

Jawan was initially planned for release on 2 June 2023, but was postponed due to unfinished post-production work. It is now scheduled for a theatrical release on 7 September 2023 coinciding  with Janmashtami.

Storyline:

Vikram Rathore is a former soldier who is determined to make amends for his past, where he also leads a team of six skilled women in a series of heists across the country and hijacks the Mumbai Metro. Vikram learns that his long-lost son Azaad Rathore is an honest officer who is being targeted by his name is Kali, a global arms dealer. Vikram embarks on a mission to obliterate Kali  and also presents the government with a set of demands, thus setting the stage for an electrifying and high-stakes showdown.

Cast:

Shah Rukh Khan in a dual role as Vikram Rathore and Azaad Rathore, Nayanthara, Vijay Sethupathi as Kali, Deepika Padukone in a special appearance, Priyamani, Sanya Malhotra, Sunil Grover and others. Vijay & Sanjay Dutt are also there in a cameo appearance.

Music:

Producer   Anirudh Ravichander

It is expected that this movie of Shahrukh Khan will be a big hit crossing all boundaries of earnings.

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"Panch Kriti" Hindi Film Review : Compilation of social issues .

Panch Kriti Hindi Film Survey : Compilation of important  social  issues.

Panch Kriti Hindi Film:

Story: 

A compilation situated in the country Indian town of Chanderi that expects to reveal insight into points like climate preservation, female foeticide, orientation equality and seems more through an assortment of fictitious stories.

In a true to life scene flourishing with different stories,  Sannjoy Bhargv, the Director  and Ranveer Pratap Singh , the Writer  endeavor to wind around five particular stories tending to fluctuated concerns. They give organized tales about friendly issues that have been told before also. While the film's goals are excellent, the execution and narrating of every vignette miss the mark concerning leaving a significant effect.

Opening with the story of a henpecked Pandit depicted by the solid Bijendra Kala, the film's underlying story sadly remains as quite possibly of its most vulnerable. Kala's presentation, however skillful, needs curiosity as it returns to a recognizable area found in his earlier jobs. Also, his surged and indistinct discourse conveyance now and again hampers perception. Regardless of planning to advocate for climate preservation with an alleged gesture to PM Modi's Swachh Bharat crusade, the center message is lost in an unfocused execution.

The other stories rotate around various social issues however the last one is about the never-ending affection for a young fellow for his lady to be. It's charming yet additionally unsurprising. What's more, this one specifically feels completely separated from the general topics, if to be sure there were any. Exhibitions in all cases range from moderate to excessively dramatic. Bhargv can effectively catch the appeal and social embodiment of provincial India by utilizing credible areas.

Incidentally, 'Panch Kriti- Five Components' shows snapshots of potential because of its effortlessness and a hint of authenticity. In any case, these examples are eclipsed by conflicting composition and dull execution. Eventually, what might have been a reverberating investigation of social worries breaks down into a forgettable true to life try.

'Panch Kriti-Five Components' shows snapshots of potential because of its straightforwardness and a dash of authenticity. Nonetheless, these cases are eclipsed by conflicting composition and dreary execution.

All things considered it is an extremely decent film. Worth watching and Brijendra Kala has given a real execution. New idea, in light of ladies strengthening in country regions.

 Cast: Sagar Wahi,Sanjay Bhargav, Brijindra kala, Tanmoy Chaturvedi, Mahi Soni,Purva Parag,Sarika Bahrolia, Devjani Choubey and Ravi Chauhan.

Director: Sanjay Bhargav

Writer: Ranveer Pratap Singh

Rating over all : 3/5

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REVIEW OF “AKELII” NEW MOVIE : BRILLIANT NUSHRRATT ENTHRALLES

REVIEW OF “AKELII”  NEW MOVIE : BRILLIANT NUSHRRATT  ENTHRALLES

“AKELII”  NEW HINDI MOVIE :

Debutant  Director , Pranay Meshram’s , “AKELLI”  presents the existence of an young Indian lady (played by Nushrratt Bharccha  as Jyoti Arora in  film ) who stalls out in war-inclined Iraq. She fights all  odd  battles including psychological oppression and prevails with regards to getting back to India.

STORYLINE:

The film is exclusively revolves around Nushrratt Bharuccha  as she radiates brilliantly in this film and clarifies that she can perform more  significantly  than being only beauty  on screen. Nushrratt has depicted  feelings  as  Jyoti Arora very  effortlessly. In the film she is seen battling psychological oppressors, making them pursue her till the finish of their life . Her acting skill keeps the crowd stuck to the screen. She keeps the captivating audience  alive inside the theatres  and doesn't allow you to flicker your eye in any event. The cinematography of Pushkar Singh is splendid .

Though the  cinematography of the film is very good but film lacks some where . The abrupt cutting of scenes are much which gives a blank and lacks the  continuity. During initial 10 minutes,  an affection scene created  among  Jyoti  and  Rafeeq (played by Nishant Dahiya) with next  shot  to not referred or related scene . The first  half looks extremely constrained and has been executed imprecisely. The basic story of Jyoti's exchange from  India  to  Iraq  has likewise  been  given insignificant importance  notwithstanding the reality, it assumes a vital part towards the finish of the film. In another scene , Nushrratt takes a psychological oppressor at gunpoint and order his men to let her go where she was locked , while locking room with keys tossed towards  her  and on the next shot  she is seen  driving the vehicle.  It minimizes  the contact with the film and the energy and leaves you with a great deal of disillusioned . The last part of film keeps you fascinated, refreshed, and enthralled.

Overall, Akelli can be watched once. It isn’t boring and won’t make you regret buying this film ticket.

Release Date:25 August 2023(U/A)

Language:Hindi

Cast:  Nushrratt Bharuccha, Nishant Dahiya, Rajesh Jais, Tsahi Halevi, Amir                          Boutrous, Vijay Kumar Dogra

Director: Pranay Meshram

Writer: Pranay Meshram, Gunjan Saxena, Ayush Tiwari

Producer: Aparna Padgaonkar, Shashant Shah, Vicky Sidana, Ninad Vaidya, Nitin Vaidya

Production: Dashami Studioz

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Review of MASTANEY : Punjabi Movie released today

REVIEW  OF  PUNJABI MOVIE "MASTANEY ": RELEASED  TODAY.

"MASTANEY"

Set in 1739, Nadar Shah's undefeated army was attacked by Sikh Rebellions. Nadar demands to arrest them but it doesn't work out. This is the story of five brave Sikh soldiers as Khalsa band who faced the Nadar Shah and Zakaria khan bravely. Five ordinary men forced to become  Sikh Rebellions  but over time they learn what Sikhs are. 

Release date : August 25, 2023 (India),Languages: Punjabi-Hindi-Tamil-Marathi-Telugu.

Production : Vehli  Janta  Films Omjee Star Studios,  Fateh Film Production

Cast : Tarsem Jassar, Gurpreet Ghuggi, Simi Chahel, Karamjit Anmol, Arif Jakaria, Rahul Dev and others

Director: Sharan Art,   Writers: Sharan Art , Harnav Bir Singh.

STORYLINE: ( 1738-1739)

The story revolves around 1739 when Nadir Shah looted Delhi and was returning to Iran via Akhnoor near Chenab river. The Sikh rebellion attacked the Nadar Shah , fought  with his army and looted the booty  and freed almost all the 20000 girls and slaves from his captivity. Nadar Shah demands to arrest them but it doesn't work out. This is the story of five brave Sikh soldiers as Khalsa band who faced the Nadar Shah and Zakaria khan bravely. Five ordinary men forced to become  Sikh Rebellions  but over time they learn what Sikhs are.

Historical Events: 

Input from All About Sikhs:( 1738-1739);Babar was the first of the Mughals to invade India in 1521, and seize power at Delhi by defeating the army of the Lodhi Sultan Ibrahim at Panipat in 1526. towards December 1719, Mohammed Shah Rangila was placed on the throne inspite of the protestations of his widowed mother. Power slowly passed from the hands of the Sayad brothers into the hands of Mohammed Amin Khan. He died in 1721 and was replaced hy his son Qamar-ud-din Khan. Mohammed Shah remained an Emperor in name only till his death in 1748. During all these years Afghanistan (then known as Kabul) had heen a part of the Mughal Kingdom, and at the time of Mohammed Shah it was under Governor Nasir Khan. This man’s control over his province was as weak as that of the Delhi Emperor. There was hardly any collection of state revenues. The soldiers had not been paid for several years, which in fact was happening in Delhi too.

Such conditions of unrest and frustration provided an energetic outsider like Nadir Shah a golden opportunity to seize power. A son of a poor shepherd in Khurasan, a province of Iran, Nadir had joined a robber band when he was still a boy. He grew up to be its leader at about the time in 1717, when the Afghans occupied Khurasan and later the capital of Iran. Nadir’s patriotic zeal was roused and he rallied a strong band of horsemen who helped him regain Khurasan. By 1725, he had hecome a national hero, who drove the Afghans out of Iran, and who hecame a sort of regent with a boy of the royal family as King of Iran In 1736, when the boy King died, Nadir assumed the title of Emperor of Iran.

The Afghans had invaded Iran several times, and to avenge these raids, Nadir Shah advanced upon Ghazni and then Kabul, both of which were occupied in May, 1738. The Governor Nasir Khan was then in Peshawar. As Nadir Shah rode out towards the Khyher Pass in November 1738, Nasir tried to block his passage with a force of 20,000 ill trained Afghans, who were just no match for the fierce Khurasani horsemen. By December 1738, Nadir Shah had crossed the river Indus, and the lush plains of the Punjah stretched before him, literally beckoning him on. Zakaria Khan had made frantic requests for aid from Delhi, but without success. When he himself came out to oppose the invaders at the hanks of the river Ravi, his army was just brushed aside (January, 1739).

Nadir Shah was an able general and a wise administrator but insane criminal. His band of soldiers would aptly be called freebooters, rapists and looters. Atrocities were committed on Punjabi Muslims and Hindus alike. Then, He accepted a gift of two million rupees and retained Zakaria Khan as his governor at Lahore. He took as hostages a son of Zakaria and a son of the minister Lakhpat Rai, and thus secure against revolt, he proceeded towards Delhi. As his whole army was on horseback, his advance was rapid. Leaving Lahore on the 26th January, he reached Sirhind on the 1st February, Ambala on the 7th, and Karnal on the 12th Fehruary. The Delhi army had been alerted in Novemher on the fall of Kabul. The generals dragged their feet in moving out of Delhi. Every fresh report of Nadir s advance struck terror into them. They took two months to move their large army and their heavy guns up to Karnal, a distance of 75 miles. Here, they decided to give battle. They heavily outnumbered the attackers, but had no discipline and hardly any heart for a fight. On the 13th February, 1739, within three hours they had lost, over 20,000 killed or wounded, and the rest just scattered in all directions.

Nadir Shah entered Delhi as a victor on 9th March, 1739. He demanded 2.5 million Rupees as retribution, but the Rangila Emperor had nothing in his government treasury. He threw open his personal safe of jewels, and Nadir availed himself of all the diamonds and rubies of the Peacock Throne, and also the famous Koh-i-noor

He left Delhi at the beginning of May 1739, taking with him a few thousand Indian girls (both Hindu and Muslim), a large number of boys as slaves and thousands of elephants, horses and camels loaded with the booty his men had collected. The hollow shell that made up the Mughal empire had been smashed open by Nadir Shah with one sweep, and the Sikhs quickly moved in to collect the broken pieces.

During his stay at Delhi, the Sikhs had come out of their jungle retreats and had no difficulty in looting all the Mughal posts at countryside from the river Chenab to the areas around Karnal. Zakaria Khan’s police forces were too demoralised to offer resistance. So Nadir’s arrival was most opportune for the Sikhs in the replenishment of their depleted stores. Again when people learnt about his departure from Delhi, the rich landlords and noblemen promptly evacuated the cities and headed for the hills as they could not trust Mughals for their security anymore. Mohmmad Shah Rangila was a bad administrator, all his croonies had looted the rich landlors and elite after Nadir Shah left to fill up the coffers of Mughal kingdom.

Meahwhile, The Khalsa bands got together and passed a resolution: “Nadir Shah must deliver a part of the booty he was carrying away from Delhi.” Nadir, on the other hand, felt that his reputation was a sufficient deterrent to anyone attacking him on the way. He had chosen the route along the foothills of the northern mountains to escape the heat of the plains. His baggage train being heavy-laden, lagged well behind his main force, and it was quite a shock for him to hear on reaching Akhnoor by the river Chenab, that all his slaves had been freed by Sikh bands, who had also seized a large share of his gold. Sardar Jassa Singh Ahluwalia who had just turned 21, showed a glimpse of his greatness as a leader by planning those raids, and by escorting the freed maidens to responsible homes from where they could return to their families.

Zakaria Khan had accompanied Nadir Shah to Akhnoor, and Nadir asked Zakaria Khan who those Sikhs were. On being told that they were all bands of poor sadhus, without clothing or riches, he asked;

“Then why don’t you burn their houses down to punish them ?”

To that Zakaria replied, “Their only homes are the saddles of their horses. They can last long periods without food and rest. They are known to sleep on horseback. We have put prizes on their heads, but their numbers keep increasing. They are never despondent, but are always singing the songs of their Pirs.”

With a sigh, Nadir admitted that in that case the Sikhs would one day rule the land. Then he obtained a promise of a tribute of 2 million Rupees annually from Lahore, and confirmed the appointment of Zakaria Khan at Lahore and of his son Shah Nawaz Khan at Multan (where Abdus Samad Khan had just died).

With the departure of Nadir Shah, Zakaria Khan took stock of his household and saw it all in ruins. He decided to take full revenge on the Sikhs for all his misfortunes. Then he goes on to massacre Sikhs on large scale to wipe out the trace of Sikhs from this country but could not succeed. 

Historical Input from : https://www.allaboutsikhs.com.

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PRE REVIEW OF "LOVE ALL" HINDI MOVIE : BITTERSWEET SYMPHONY OF HUMAN POTENTIAL

PRE-REVIEW OF  " LOVE ALL " HINDI MOVIE : BITTERSWEET SYMPHONY OF HUMAN POTENTIAL

 

   "LOVE ALL"  

        

STORYLINE:

In a tale that resonates with the bittersweet symphony of human potential and its tragic undoing, we delve into the life of a once-promising Shuttler played by Kay Kay Menon  who found himself entangled in the treacherous web of sports politics. Once celebrated as a radiant star on the badminton court , he became a recluse, carrying the weight of disillusionment and betrayal. His journey, marked by a series of unfortunate events, unfolded like a script no one could have foreseen.

In the heyday of his youth, he was the darling of fans, a name that echoed in the badminton courts  with thunderous applause. Yet, as fate would have it, he fell victim to the clandestine maneuvers of powerful figures lurking in the shadows of sports administration. Conspiracies, like venomous vines, wound their way around his promising career, slowly squeezing the life out of his dreams.

The injuries ran further than the eye could see. The anguish of being barred from the game he breathed and lived for left scars etched not only on his body but on the fabric of his psyche. Stripped of his once-flourishing identity, he retreated into solitude, nursing his grievances and nursing his anger.

As life meandered on, he was forced to navigate the uncharted territories of an ordinary existence. A silent resentment festered within him, and he became an embodiment of the adage "what could have been." His bitterness, an ominous cloud that hung over him, cast a long shadow over his family. His son a budding spark of enthusiasm, was denied the pursuit of sports – a prohibition born out of a father's pain.

The man who once stood tall on the badminton courts now sat hunched over the bitterness he felt towards the very game that had once been his haven. His narrative painted this sports as a cruel puppeteer, orchestrating a symphony of shattered dreams. And so, he passed on his legacy of resentment, warning his son against chasing after the siren call of sports. The child's aspirations, innocent and full of hope of  becoming a shuttler were doused by the cold waters of his father's experience.

In this tale of dreams derailed, aspirations tainted, and innocence stolen, we find the echoes of a life forever altered by the capricious hands of fate and the puppeteers of power. It's a reminder that the road to glory is not always paved with fair play, and the impact of politics on pure passion can resonate through generations, perpetuating a cycle of unfulfilled dreams.

PRODUCED BY : 

LGF Studios along with Anand Pandit, Mahesh Bhatt & Pullela Gopichand presents # Loveall, starring Kay Kay Menon, Shriswara, Swastika Mukherjee, and Atul Shrivastav. Written and directed by Sudhanshu Sharma.

EXPECTED RELEASE DATE : 25th August 2023

STAR CAST: 

Love All Moview

Love All Trailor

Love All play Trailor

Love All Kay Kay Menon

Love All Swastika Mukherjee

Love All Shriswara

Love All Atul Srivastava

Terms & Conditions

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