SIRF EK BANDAA KAAFI HAI REVIEW : BRILLAINT MANOJ BAJPAYEE FINEST IN THIS GRIPPING COURTROOM DRAMA

SIRF EK BANDAA KAAFI  HAI REVIEW : BRILLAINT  MANOJ  BAJPAYEE finest  IN THIS  GRIPPING  COURTROOM  DRAMA

Sirf  Ek Banda Kaafi Hai story: Roused by genuine occurrences, this is the story of a  Legal Counselor in Jodhpur Court, who battles an extensive fight to get justice  to a minor girl sexually assaulted by a strong godman.

Sirf Ek Banda Kaafi Hai review: When a popular godman is in the witness box for the sexual assault of a minor girl , you know the court show will be something beyond a clash of brains. The procedures goes into serious notes and kudos to Apoorv Singh Karki , Director of this film  for guaranteeing attention grasping story keeps you snared all through. Colossal obligation lays on the essayist to successfully pull off a film that generally depends on exchanges (contentions for this situation), which Deepak Kingrani experts in, whether inside the court or outside. The one individual who holds everything together solidly is  Manoj Bajpayee, very much like a  central character  .

The film is a biopic on a modest legal counselor from Rajasthan, advocate PC Solanki, who without any help carried equity to the minor young lady under the POCSO Act in the much-promoted so called godman's rape case. While legal counselors in court dramatizations are depicted to be amazing, advocate PC Solanki (Manoj Bajpayee, ) is a straightforward man living with his mom and child in Jodhpur. He takes on his contemporary protection lawyer (Vipin Sharma) with extraordinary certainty, yet it's charming to see him captivated and anxious when he faces enormous names from the legitimate world during the court procedures. Sirf Ek Bandaa Kaafi Hai is a well-informed story where the watcher will be loaded up with esteem at the expected level of effort on the public examiner Solanki's part, particularly in demonstrating that the survivor Nu (Adrija) is a minor and that the case should be attempted under the POCSO Act come what may, or other lawful bare essential.

The film, where just Solanki's name stays unaltered, while different characters are given screen names, handles the story with extraordinary responsiveness, even in the scenes when the safeguard asks Nu pointed inquiries about the episode or how carefully the police handle the case. It doesn't sensationalize the occasion while guaranteeing it's holding. Arjun Kukreti's cinematography supplements the tight heading and composing. The pursuit scene in the bylanes of Jodhpur when thugs assault Solanki is very much shot. Nu is being taken for a clinical assessment after the police grievance, and when she conceals her face with her dupatta, your heart goes out to her as it passes the disgrace is taking a stab at to stow away. Or on the other hand the scene when the case is won, and Nu remains by the window — her partly illuminated face appears to portray the expectation and the scars together. Sangeet-Siddharth Roy's experience score elevates the show, however in many occurrences, it moves domineering and removes the consideration from the discourse.

Sirf Ek Bandaa Kaafi Hai gloats of remarkable exhibitions, whether Adrija or Jaihind Kumar and Durga Sharma as Nu's hapless yet strong guardians, Vipin Sharma as the safeguard legal advisor (he acts outstandingly well in the scene he's barbecuing Nu and is embarrassed to get some information about the wrongdoing exhaustively). Yet, the star here is without a doubt Manoj Bajpayee. He shows ability, particularly in adjusting his characteristics while associating with various partners — Nu, her folks, his mom, his child, the adjudicators, the legal counselors he appreciates, and his aide. Not set in stone to terrified, profound, awestruck and shocked, he experts each subtlety. He sparkles in the scene when he separates, his mom consoles him, and they present a sonnet together and his end proclamation. He knows he's managing a country fixated on religion. Rather than making sense of why Baba should be rebuffed from a human or legitimate stance, he utilizes a language they'd comprehend. He cites the case of why Ruler Shiva would not excuse his most prominent admirer, Ravan. This was a splendid touch.

The film should not be missed for the uncommon narrating, show, and discoursed be that as it may, most importantly, for Manoj Bajpayee's remarkable presentation. You will applaud him as PC Solanki.

ANALYSIS

Our overall critic’s rating was above average of the sub scores below.

Direction: 4/5,Dialogues:4/5,Screenplay:4/5,Music:3.0/5,Visual appeal:4/5

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