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PRE-RELEASE REVIEW " DREAM GIRL 2" HINDI MOVIE

PRE-RELEASE REVIEW "DREAM GIRL 2"  HINDI MOVIE

DREAM GIRL 2  HINDI MOVIE

Storyline.

Directed by  Raaj Shaandilya  , Dream Girl 2 is a Hindi comedy-drama movie .  Raaj Shaandilya  also wrote the dialogue, the screenplay, and the story. The movie stars Ayushmann  Khurrana as  Karamveer Singh alias Pooja  and  Ananya Panday  as Pari Srivastav in the lead roles, along with Paresh Rawal as Abu Saleem, Abhishek Banerjee as Shahrukh , Annu Kapur as Jagjit Singh ,Vijay Raaj as Sona Bhai , Asrani as Yusuf Ali and Rajpal yadav as Shoukiya  and many others in supporting roles.

In this film Karamveer Singh, who is attempting to carry on with a serious life in Mathura and struggling to pay his father’s debt  finds his  love for Pari Srivastav,  yet life is not  set  in a serious way. In a new development  Karamveer  becomes  Pooja  which brings  further disorder in his generally turbulent life. Karamveer finds a new job  at a Call centre because of his ability to talk in a lady's voice. The film focuses  on  a cross-gender  actor (played by Ayushmann Khurrana) whose  female  voice  impersonation begets  attention  from  others, and  talks  about depression and  loneliness in society. In  doing  so he gathers  a major fan following but soon gets in trouble with his overzealous clients. This film seems to be a sequel  of  Dream Girl of 2019 starring the  same Ayushmann Khurana.

Dream Girl 2 is a Hindi-language comedy film directed by Raaj Shaandilyaa in his directorial debut and produced by  Ekta Kapoor and Shobha Kapoor under the banner of Balaji Motion Pictures.

Release Date : The movie "Dream Girl 2" scheduled tol be releases in cinemas on August 25, 2023.

 Director  : Raaj Shaandilyaa

Story       : Raaj Shaandilyaa

Dialogue: Raaj Shaandilyaa

Cinematography: Ramani Ranjan Das

Producer : Ekta Kapoor &  Shobha Kapoor

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REVIEW OF OMG2 HINDI MOVIE : BALANCED DOSE OF SOCIAL MESSAGE

REVIEW  OF  OMG 2  HINDI  MOVIE : BALANCED DOSE OF SOCIAL MESSAGE

REVIEW: BALANCED DOSE OF SOCIAL MESSAGE

OMG 2, a satirical comedy-drama film, is the story of one Kanti Sharan Mudgal ably acted upon by Pankaj Tripathi,  an easy going man , a caring father  and also a loving husband. Kanti is a devotee of Lord Shiva played by  Akshay Kumar in this film. The movie goes like this…..

One day Kanti’s  son, Vivek  is thrown  out  of the  school  for  some immoral  conduct . Upon confrontation  Kanti  Sharan realizes that his son has been a victim of misinformation and misguidance. Unable to handle this critical situation , Kanti Sharan decides to  leave the settlement with his family, until  he has a divine intervention that steers him towards truth. Kanti Sharan then decides to take on everyone responsible by  dragging  the school  authority  to  court in a dramatic courtroom  drama  to mandate  comprehensive  education  and  the  system  of  counseling  the students  in schools. With the magnetic performances  of  Pankaj Tripathi  , Akshay Kumar  , Yami Gautam   , Pawan Malhotra  and others,  this film transcends not  mere storytelling  but  ascending to a realm of artistic brilliance that is sure to resonate with audiences far and wide.  Yami Gautam shines with finesse, delivering  a  noticeable performance  that pushes the envelope on discussions encompassing sex training. The supporting cast, including Pavan Malhotra as  Judge, Brijendra Kala as Doctor, and Arun Govil , all contribute brilliantly to the narrative.

The brassy splendor of "OMG2," a film that boldly melds the most polarizing subjects of religion and sex instruction into an amicable ensemble of thought-incitement. The movie's ability to fuse these contrasting themes with such fluidity is a masterstroke of creative genius, a daring canvas upon which societal norms are both challenged and redefined.

The topic that everyone needs to talk about  and about which we get the knowledge from outside sources sometimes good and most of the time bad… really needs to be spoken and need the clarification and this movie did that.

Director: Amit Rai

Producers: Vipul  D. Shah, Rajesh Behl  & Ashwin  Varde

IN-DEPTH ANALYSIS

Our overall critic’s rating is above average of the sub scores below.

Direction : 4.5/5

Dialogues: 4/5

Screenplay: 4/5

Music: 3/5

Visual appeal:4/5

 

REVIEW OF GHOOMER HINDI MOVIE :Remarkable Cricket Drama which Motivates & Inspires to an optimum level.

MOVIE REVIEW: GHOOMER  a  Remarkable Cricket Drama which  Motivates & Inspires to an optimum level.

Movie  Ghoomer  is surprising  a compelling cricket based movie  which show the true spirit  and  grit  to achieve an ultimate point.

The film is completely captivating the audience and high on approach to the social issue. Screenplay keeps you snared and booked all through the movie  time, top twist leaves you with ambivalent tears delight.  Directed by R Balki & Written by R. Balki , Rahul Sengupta and Rishi Virmani  the film takes us on an emotional ride into the life of a true athlete who defies all odds to achieve prominence in the world of cricket.

The role of Abhishek Bachchan is well suited and his acting execution is remarkable. This be his best work after  Master & Dasvi . There are minutes where his demonstration will help you to remember unbelievable  Amitabh Bachchan  particularly one talk where he characterizes  enchantment  in life is Superb.

Female lead , Saiyami Kher  is splendid as Anina, a young batting prodigy, loses her right hand in an accident.  She legitimizes the personality of an exceptionally-abled  cricketer  with  most  extreme  greatness and trains herself with unconditional techniques  to turn fate around. She became expert in Ghoomer , a new style of bowling  invented  to swindle  the opposite cricket  teams .

Shabana Azmi  loans a generally excellent help. Amitabh Bachchan appearance as Cameo  is an added feature  in  the movie of Balki. Truly  speaking  Ghoomer  will be  one of the best  film of 2023 amongst, which will be appreciated for spectacular  informal exchange on social issues .

Analysis:

Our Overall Critics rating is above average of the sub scores below:

Direction: 4/5, Dialogues: 3.5/5, Screenplay: 4/5, Music:3/5, Visual Appeal: 4/5

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SIRF EK BANDAA KAAFI HAI REVIEW : BRILLAINT MANOJ BAJPAYEE FINEST IN THIS GRIPPING COURTROOM DRAMA

SIRF EK BANDAA KAAFI  HAI REVIEW : BRILLAINT  MANOJ  BAJPAYEE finest  IN THIS  GRIPPING  COURTROOM  DRAMA

Sirf  Ek Banda Kaafi Hai story: Roused by genuine occurrences, this is the story of a  Legal Counselor in Jodhpur Court, who battles an extensive fight to get justice  to a minor girl sexually assaulted by a strong godman.

Sirf Ek Banda Kaafi Hai review: When a popular godman is in the witness box for the sexual assault of a minor girl , you know the court show will be something beyond a clash of brains. The procedures goes into serious notes and kudos to Apoorv Singh Karki , Director of this film  for guaranteeing attention grasping story keeps you snared all through. Colossal obligation lays on the essayist to successfully pull off a film that generally depends on exchanges (contentions for this situation), which Deepak Kingrani experts in, whether inside the court or outside. The one individual who holds everything together solidly is  Manoj Bajpayee, very much like a  central character  .

The film is a biopic on a modest legal counselor from Rajasthan, advocate PC Solanki, who without any help carried equity to the minor young lady under the POCSO Act in the much-promoted so called godman's rape case. While legal counselors in court dramatizations are depicted to be amazing, advocate PC Solanki (Manoj Bajpayee, ) is a straightforward man living with his mom and child in Jodhpur. He takes on his contemporary protection lawyer (Vipin Sharma) with extraordinary certainty, yet it's charming to see him captivated and anxious when he faces enormous names from the legitimate world during the court procedures. Sirf Ek Bandaa Kaafi Hai is a well-informed story where the watcher will be loaded up with esteem at the expected level of effort on the public examiner Solanki's part, particularly in demonstrating that the survivor Nu (Adrija) is a minor and that the case should be attempted under the POCSO Act come what may, or other lawful bare essential.

The film, where just Solanki's name stays unaltered, while different characters are given screen names, handles the story with extraordinary responsiveness, even in the scenes when the safeguard asks Nu pointed inquiries about the episode or how carefully the police handle the case. It doesn't sensationalize the occasion while guaranteeing it's holding. Arjun Kukreti's cinematography supplements the tight heading and composing. The pursuit scene in the bylanes of Jodhpur when thugs assault Solanki is very much shot. Nu is being taken for a clinical assessment after the police grievance, and when she conceals her face with her dupatta, your heart goes out to her as it passes the disgrace is taking a stab at to stow away. Or on the other hand the scene when the case is won, and Nu remains by the window — her partly illuminated face appears to portray the expectation and the scars together. Sangeet-Siddharth Roy's experience score elevates the show, however in many occurrences, it moves domineering and removes the consideration from the discourse.

Sirf Ek Bandaa Kaafi Hai gloats of remarkable exhibitions, whether Adrija or Jaihind Kumar and Durga Sharma as Nu's hapless yet strong guardians, Vipin Sharma as the safeguard legal advisor (he acts outstandingly well in the scene he's barbecuing Nu and is embarrassed to get some information about the wrongdoing exhaustively). Yet, the star here is without a doubt Manoj Bajpayee. He shows ability, particularly in adjusting his characteristics while associating with various partners — Nu, her folks, his mom, his child, the adjudicators, the legal counselors he appreciates, and his aide. Not set in stone to terrified, profound, awestruck and shocked, he experts each subtlety. He sparkles in the scene when he separates, his mom consoles him, and they present a sonnet together and his end proclamation. He knows he's managing a country fixated on religion. Rather than making sense of why Baba should be rebuffed from a human or legitimate stance, he utilizes a language they'd comprehend. He cites the case of why Ruler Shiva would not excuse his most prominent admirer, Ravan. This was a splendid touch.

The film should not be missed for the uncommon narrating, show, and discoursed be that as it may, most importantly, for Manoj Bajpayee's remarkable presentation. You will applaud him as PC Solanki.

ANALYSIS

Our overall critic’s rating was above average of the sub scores below.

Direction: 4/5,Dialogues:4/5,Screenplay:4/5,Music:3.0/5,Visual appeal:4/5

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