"Panch Kriti" Hindi Film Review : Compilation of social issues .

Panch Kriti Hindi Film Survey : Compilation of important  social  issues.

Panch Kriti Hindi Film:

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Story: 

A compilation situated in the country Indian town of Chanderi that expects to reveal insight into points like climate preservation, female foeticide, orientation equality and seems more through an assortment of fictitious stories.

In a true to life scene flourishing with different stories,  Sannjoy Bhargv, the Director  and Ranveer Pratap Singh , the Writer  endeavor to wind around five particular stories tending to fluctuated concerns. They give organized tales about friendly issues that have been told before also. While the film's goals are excellent, the execution and narrating of every vignette miss the mark concerning leaving a significant effect.

Opening with the story of a henpecked Pandit depicted by the solid Bijendra Kala, the film's underlying story sadly remains as quite possibly of its most vulnerable. Kala's presentation, however skillful, needs curiosity as it returns to a recognizable area found in his earlier jobs. Also, his surged and indistinct discourse conveyance now and again hampers perception. Regardless of planning to advocate for climate preservation with an alleged gesture to PM Modi's Swachh Bharat crusade, the center message is lost in an unfocused execution.

The other stories rotate around various social issues however the last one is about the never-ending affection for a young fellow for his lady to be. It's charming yet additionally unsurprising. What's more, this one specifically feels completely separated from the general topics, if to be sure there were any. Exhibitions in all cases range from moderate to excessively dramatic. Bhargv can effectively catch the appeal and social embodiment of provincial India by utilizing credible areas.

Incidentally, 'Panch Kriti- Five Components' shows snapshots of potential because of its effortlessness and a hint of authenticity. In any case, these examples are eclipsed by conflicting composition and dull execution. Eventually, what might have been a reverberating investigation of social worries breaks down into a forgettable true to life try.

'Panch Kriti-Five Components' shows snapshots of potential because of its straightforwardness and a dash of authenticity. Nonetheless, these cases are eclipsed by conflicting composition and dreary execution.

All things considered it is an extremely decent film. Worth watching and Brijendra Kala has given a real execution. New idea, in light of ladies strengthening in country regions.

 Cast: Sagar Wahi,Sanjay Bhargav, Brijindra kala, Tanmoy Chaturvedi, Mahi Soni,Purva Parag,Sarika Bahrolia, Devjani Choubey and Ravi Chauhan.

Director: Sanjay Bhargav

Writer: Ranveer Pratap Singh

Rating over all : 3/5

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Panch Kirti Five Elements movie 

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Panch Kirti-Five Elements movie review


REVIEW OF “AKELII” NEW MOVIE : BRILLIANT NUSHRRATT ENTHRALLES

REVIEW OF “AKELII”  NEW MOVIE : BRILLIANT NUSHRRATT  ENTHRALLES

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“AKELII”  NEW HINDI MOVIE :

Debutant  Director , Pranay Meshram’s , “AKELLI”  presents the existence of an young Indian lady (played by Nushrratt Bharccha  as Jyoti Arora in  film ) who stalls out in war-inclined Iraq. She fights all  odd  battles including psychological oppression and prevails with regards to getting back to India.

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STORYLINE:

The film is exclusively revolves around Nushrratt Bharuccha  as she radiates brilliantly in this film and clarifies that she can perform more  significantly  than being only beauty  on screen. Nushrratt has depicted  feelings  as  Jyoti Arora very  effortlessly. In the film she is seen battling psychological oppressors, making them pursue her till the finish of their life . Her acting skill keeps the crowd stuck to the screen. She keeps the captivating audience  alive inside the theatres  and doesn't allow you to flicker your eye in any event. The cinematography of Pushkar Singh is splendid .

Though the  cinematography of the film is very good but film lacks some where . The abrupt cutting of scenes are much which gives a blank and lacks the  continuity. During initial 10 minutes,  an affection scene created  among  Jyoti  and  Rafeeq (played by Nishant Dahiya) with next  shot  to not referred or related scene . The first  half looks extremely constrained and has been executed imprecisely. The basic story of Jyoti's exchange from  India  to  Iraq  has likewise  been  given insignificant importance  notwithstanding the reality, it assumes a vital part towards the finish of the film. In another scene , Nushrratt takes a psychological oppressor at gunpoint and order his men to let her go where she was locked , while locking room with keys tossed towards  her  and on the next shot  she is seen  driving the vehicle.  It minimizes  the contact with the film and the energy and leaves you with a great deal of disillusioned . The last part of film keeps you fascinated, refreshed, and enthralled.

Overall, Akelli can be watched once. It isn’t boring and won’t make you regret buying this film ticket.

Release Date:25 August 2023(U/A)

Language:Hindi

Cast:  Nushrratt Bharuccha, Nishant Dahiya, Rajesh Jais, Tsahi Halevi, Amir                          Boutrous, Vijay Kumar Dogra

Director: Pranay Meshram

Writer: Pranay Meshram, Gunjan Saxena, Ayush Tiwari

Producer: Aparna Padgaonkar, Shashant Shah, Vicky Sidana, Ninad Vaidya, Nitin Vaidya

Production: Dashami Studioz

…….

Akelii 2023

Akelii Movie

Akelii movie story

Akelii  based on true story

Akelii  Movie cast

Akelii movie real story

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Review of MASTANEY : Punjabi Movie released today

REVIEW  OF  PUNJABI MOVIE "MASTANEY ": RELEASED  TODAY.

"MASTANEY"

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Set in 1739, Nadar Shah's undefeated army was attacked by Sikh Rebellions. Nadar demands to arrest them but it doesn't work out. This is the story of five brave Sikh soldiers as Khalsa band who faced the Nadar Shah and Zakaria khan bravely. Five ordinary men forced to become  Sikh Rebellions  but over time they learn what Sikhs are. 

Release date : August 25, 2023 (India),Languages: Punjabi-Hindi-Tamil-Marathi-Telugu.

Production : Vehli  Janta  Films Omjee Star Studios,  Fateh Film Production

Cast : Tarsem Jassar, Gurpreet Ghuggi, Simi Chahel, Karamjit Anmol, Arif Jakaria, Rahul Dev and others

Director: Sharan Art,   Writers: Sharan Art , Harnav Bir Singh.

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STORYLINE: ( 1738-1739)

The story revolves around 1739 when Nadir Shah looted Delhi and was returning to Iran via Akhnoor near Chenab river. The Sikh rebellion attacked the Nadar Shah , fought  with his army and looted the booty  and freed almost all the 20000 girls and slaves from his captivity. Nadar Shah demands to arrest them but it doesn't work out. This is the story of five brave Sikh soldiers as Khalsa band who faced the Nadar Shah and Zakaria khan bravely. Five ordinary men forced to become  Sikh Rebellions  but over time they learn what Sikhs are.

Historical Events: 

Input from All About Sikhs:( 1738-1739);Babar was the first of the Mughals to invade India in 1521, and seize power at Delhi by defeating the army of the Lodhi Sultan Ibrahim at Panipat in 1526. towards December 1719, Mohammed Shah Rangila was placed on the throne inspite of the protestations of his widowed mother. Power slowly passed from the hands of the Sayad brothers into the hands of Mohammed Amin Khan. He died in 1721 and was replaced hy his son Qamar-ud-din Khan. Mohammed Shah remained an Emperor in name only till his death in 1748. During all these years Afghanistan (then known as Kabul) had heen a part of the Mughal Kingdom, and at the time of Mohammed Shah it was under Governor Nasir Khan. This man’s control over his province was as weak as that of the Delhi Emperor. There was hardly any collection of state revenues. The soldiers had not been paid for several years, which in fact was happening in Delhi too.

Such conditions of unrest and frustration provided an energetic outsider like Nadir Shah a golden opportunity to seize power. A son of a poor shepherd in Khurasan, a province of Iran, Nadir had joined a robber band when he was still a boy. He grew up to be its leader at about the time in 1717, when the Afghans occupied Khurasan and later the capital of Iran. Nadir’s patriotic zeal was roused and he rallied a strong band of horsemen who helped him regain Khurasan. By 1725, he had hecome a national hero, who drove the Afghans out of Iran, and who hecame a sort of regent with a boy of the royal family as King of Iran In 1736, when the boy King died, Nadir assumed the title of Emperor of Iran.

The Afghans had invaded Iran several times, and to avenge these raids, Nadir Shah advanced upon Ghazni and then Kabul, both of which were occupied in May, 1738. The Governor Nasir Khan was then in Peshawar. As Nadir Shah rode out towards the Khyher Pass in November 1738, Nasir tried to block his passage with a force of 20,000 ill trained Afghans, who were just no match for the fierce Khurasani horsemen. By December 1738, Nadir Shah had crossed the river Indus, and the lush plains of the Punjah stretched before him, literally beckoning him on. Zakaria Khan had made frantic requests for aid from Delhi, but without success. When he himself came out to oppose the invaders at the hanks of the river Ravi, his army was just brushed aside (January, 1739).

Nadir Shah was an able general and a wise administrator but insane criminal. His band of soldiers would aptly be called freebooters, rapists and looters. Atrocities were committed on Punjabi Muslims and Hindus alike. Then, He accepted a gift of two million rupees and retained Zakaria Khan as his governor at Lahore. He took as hostages a son of Zakaria and a son of the minister Lakhpat Rai, and thus secure against revolt, he proceeded towards Delhi. As his whole army was on horseback, his advance was rapid. Leaving Lahore on the 26th January, he reached Sirhind on the 1st February, Ambala on the 7th, and Karnal on the 12th Fehruary. The Delhi army had been alerted in Novemher on the fall of Kabul. The generals dragged their feet in moving out of Delhi. Every fresh report of Nadir s advance struck terror into them. They took two months to move their large army and their heavy guns up to Karnal, a distance of 75 miles. Here, they decided to give battle. They heavily outnumbered the attackers, but had no discipline and hardly any heart for a fight. On the 13th February, 1739, within three hours they had lost, over 20,000 killed or wounded, and the rest just scattered in all directions.

Nadir Shah entered Delhi as a victor on 9th March, 1739. He demanded 2.5 million Rupees as retribution, but the Rangila Emperor had nothing in his government treasury. He threw open his personal safe of jewels, and Nadir availed himself of all the diamonds and rubies of the Peacock Throne, and also the famous Koh-i-noor

He left Delhi at the beginning of May 1739, taking with him a few thousand Indian girls (both Hindu and Muslim), a large number of boys as slaves and thousands of elephants, horses and camels loaded with the booty his men had collected. The hollow shell that made up the Mughal empire had been smashed open by Nadir Shah with one sweep, and the Sikhs quickly moved in to collect the broken pieces.

During his stay at Delhi, the Sikhs had come out of their jungle retreats and had no difficulty in looting all the Mughal posts at countryside from the river Chenab to the areas around Karnal. Zakaria Khan’s police forces were too demoralised to offer resistance. So Nadir’s arrival was most opportune for the Sikhs in the replenishment of their depleted stores. Again when people learnt about his departure from Delhi, the rich landlords and noblemen promptly evacuated the cities and headed for the hills as they could not trust Mughals for their security anymore. Mohmmad Shah Rangila was a bad administrator, all his croonies had looted the rich landlors and elite after Nadir Shah left to fill up the coffers of Mughal kingdom.

Meahwhile, The Khalsa bands got together and passed a resolution: “Nadir Shah must deliver a part of the booty he was carrying away from Delhi.” Nadir, on the other hand, felt that his reputation was a sufficient deterrent to anyone attacking him on the way. He had chosen the route along the foothills of the northern mountains to escape the heat of the plains. His baggage train being heavy-laden, lagged well behind his main force, and it was quite a shock for him to hear on reaching Akhnoor by the river Chenab, that all his slaves had been freed by Sikh bands, who had also seized a large share of his gold. Sardar Jassa Singh Ahluwalia who had just turned 21, showed a glimpse of his greatness as a leader by planning those raids, and by escorting the freed maidens to responsible homes from where they could return to their families.

Zakaria Khan had accompanied Nadir Shah to Akhnoor, and Nadir asked Zakaria Khan who those Sikhs were. On being told that they were all bands of poor sadhus, without clothing or riches, he asked;

“Then why don’t you burn their houses down to punish them ?”

To that Zakaria replied, “Their only homes are the saddles of their horses. They can last long periods without food and rest. They are known to sleep on horseback. We have put prizes on their heads, but their numbers keep increasing. They are never despondent, but are always singing the songs of their Pirs.”

With a sigh, Nadir admitted that in that case the Sikhs would one day rule the land. Then he obtained a promise of a tribute of 2 million Rupees annually from Lahore, and confirmed the appointment of Zakaria Khan at Lahore and of his son Shah Nawaz Khan at Multan (where Abdus Samad Khan had just died).

With the departure of Nadir Shah, Zakaria Khan took stock of his household and saw it all in ruins. He decided to take full revenge on the Sikhs for all his misfortunes. Then he goes on to massacre Sikhs on large scale to wipe out the trace of Sikhs from this country but could not succeed. 

Historical Input from : https://www.allaboutsikhs.com.

........

Mastaney teaser

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Mastaney Punjabi Movie Cast

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Mastaney 2023


PRE REVIEW OF "LOVE ALL" HINDI MOVIE : BITTERSWEET SYMPHONY OF HUMAN POTENTIAL

PRE-REVIEW OF  " LOVE ALL " HINDI MOVIE : BITTERSWEET SYMPHONY OF HUMAN POTENTIAL

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   "LOVE ALL"  

















STORYLINE:

In a tale that resonates with the bittersweet symphony of human potential and its tragic undoing, we delve into the life of a once-promising Shuttler played by Kay Kay Menon  who found himself entangled in the treacherous web of sports politics. Once celebrated as a radiant star on the badminton court , he became a recluse, carrying the weight of disillusionment and betrayal. His journey, marked by a series of unfortunate events, unfolded like a script no one could have foreseen.

In the heyday of his youth, he was the darling of fans, a name that echoed in the badminton courts  with thunderous applause. Yet, as fate would have it, he fell victim to the clandestine maneuvers of powerful figures lurking in the shadows of sports administration. Conspiracies, like venomous vines, wound their way around his promising career, slowly squeezing the life out of his dreams.

The injuries ran further than the eye could see. The anguish of being barred from the game he breathed and lived for left scars etched not only on his body but on the fabric of his psyche. Stripped of his once-flourishing identity, he retreated into solitude, nursing his grievances and nursing his anger.

As life meandered on, he was forced to navigate the uncharted territories of an ordinary existence. A silent resentment festered within him, and he became an embodiment of the adage "what could have been." His bitterness, an ominous cloud that hung over him, cast a long shadow over his family. His son a budding spark of enthusiasm, was denied the pursuit of sports – a prohibition born out of a father's pain.

The man who once stood tall on the badminton courts now sat hunched over the bitterness he felt towards the very game that had once been his haven. His narrative painted this sports as a cruel puppeteer, orchestrating a symphony of shattered dreams. And so, he passed on his legacy of resentment, warning his son against chasing after the siren call of sports. The child's aspirations, innocent and full of hope of  becoming a shuttler were doused by the cold waters of his father's experience.

In this tale of dreams derailed, aspirations tainted, and innocence stolen, we find the echoes of a life forever altered by the capricious hands of fate and the puppeteers of power. It's a reminder that the road to glory is not always paved with fair play, and the impact of politics on pure passion can resonate through generations, perpetuating a cycle of unfulfilled dreams.

PRODUCED BY

LGF Studios along with Anand Pandit, Mahesh Bhatt & Pullela Gopichand presents # Loveall, starring Kay Kay Menon, Shriswara, Swastika Mukherjee, and Atul Shrivastav. Written and directed by Sudhanshu Sharma.

EXPECTED RELEASE DATE : 25th August 2023

STAR CAST: 

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Love All Moview

Love All Trailor

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Love All Kay Kay Menon

Love All Swastika Mukherjee

Love All Shriswara

Love All Atul Srivastava


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PRE-RELEASE REVIEW " DREAM GIRL 2" HINDI MOVIE

PRE-RELEASE REVIEW "DREAM GIRL 2"  HINDI MOVIE

DREAM GIRL 2  HINDI MOVIE

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Storyline.

Directed by  Raaj Shaandilya  , Dream Girl 2 is a Hindi comedy-drama movie .  Raaj Shaandilya  also wrote the dialogue, the screenplay, and the story. The movie stars Ayushmann  Khurrana as  Karamveer Singh alias Pooja  and  Ananya Panday  as Pari Srivastav in the lead roles, along with Paresh Rawal as Abu Saleem, Abhishek Banerjee as Shahrukh , Annu Kapur as Jagjit Singh ,Vijay Raaj as Sona Bhai , Asrani as Yusuf Ali and Rajpal yadav as Shoukiya  and many others in supporting roles.

In this film Karamveer Singh, who is attempting to carry on with a serious life in Mathura and struggling to pay his father’s debt  finds his  love for Pari Srivastav,  yet life is not  set  in a serious way. In a new development  Karamveer  becomes  Pooja  which brings  further disorder in his generally turbulent life. Karamveer finds a new job  at a Call centre because of his ability to talk in a lady's voice. The film focuses  on  a cross-gender  actor (played by Ayushmann Khurrana) whose  female  voice  impersonation begets  attention  from  others, and  talks  about depression and  loneliness in society. In  doing  so he gathers  a major fan following but soon gets in trouble with his overzealous clients. This film seems to be a sequel  of  Dream Girl of 2019 starring the  same Ayushmann Khurana.

Dream Girl 2 is a Hindi-language comedy film directed by Raaj Shaandilyaa in his directorial debut and produced by  Ekta Kapoor and Shobha Kapoor under the banner of Balaji Motion Pictures.

Release Date : The movie "Dream Girl 2" scheduled tol be releases in cinemas on August 25, 2023.

 Director  : Raaj Shaandilyaa

Story       : Raaj Shaandilyaa

Dialogue: Raaj Shaandilyaa

Cinematography: Ramani Ranjan Das

Producer : Ekta Kapoor &  Shobha Kapoor

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REVIEW OF OMG2 HINDI MOVIE : BALANCED DOSE OF SOCIAL MESSAGE

REVIEW  OF  OMG 2  HINDI  MOVIE : BALANCED DOSE OF SOCIAL MESSAGE

REVIEW: BALANCED DOSE OF SOCIAL MESSAGE

singhtarman

OMG 2, a satirical comedy-drama film, is the story of one Kanti Sharan Mudgal ably acted upon by Pankaj Tripathi,  an easy going man , a caring father  and also a loving husband. Kanti is a devotee of Lord Shiva played by  Akshay Kumar in this film. The movie goes like this…..

One day Kanti’s  son, Vivek  is thrown  out  of the  school  for  some immoral  conduct . Upon confrontation  Kanti  Sharan realizes that his son has been a victim of misinformation and misguidance. Unable to handle this critical situation , Kanti Sharan decides to  leave the settlement with his family, until  he has a divine intervention that steers him towards truth. Kanti Sharan then decides to take on everyone responsible by  dragging  the school  authority  to  court in a dramatic courtroom  drama  to mandate  comprehensive  education  and  the  system  of  counseling  the students  in schools. With the magnetic performances  of  Pankaj Tripathi  , Akshay Kumar  , Yami Gautam   , Pawan Malhotra  and others,  this film transcends not  mere storytelling  but  ascending to a realm of artistic brilliance that is sure to resonate with audiences far and wide.  Yami Gautam shines with finesse, delivering  a  noticeable performance  that pushes the envelope on discussions encompassing sex training. The supporting cast, including Pavan Malhotra as  Judge, Brijendra Kala as Doctor, and Arun Govil , all contribute brilliantly to the narrative.

The brassy splendor of "OMG2," a film that boldly melds the most polarizing subjects of religion and sex instruction into an amicable ensemble of thought-incitement. The movie's ability to fuse these contrasting themes with such fluidity is a masterstroke of creative genius, a daring canvas upon which societal norms are both challenged and redefined.

The topic that everyone needs to talk about  and about which we get the knowledge from outside sources sometimes good and most of the time bad… really needs to be spoken and need the clarification and this movie did that.

Director: Amit Rai

Producers: Vipul  D. Shah, Rajesh Behl  & Ashwin  Varde

IN-DEPTH ANALYSIS

Our overall critic’s rating is above average of the sub scores below.

Direction : 4.5/5

Dialogues: 4/5

Screenplay: 4/5

Music: 3/5

Visual appeal:4/5

 

REVIEW OF GHOOMER HINDI MOVIE :Remarkable Cricket Drama which Motivates & Inspires to an optimum level.

MOVIE REVIEW: GHOOMER  a  Remarkable Cricket Drama which  Motivates & Inspires to an optimum level.

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Movie  Ghoomer  is surprising  a compelling cricket based movie  which show the true spirit  and  grit  to achieve an ultimate point.

The film is completely captivating the audience and high on approach to the social issue. Screenplay keeps you snared and booked all through the movie  time, top twist leaves you with ambivalent tears delight.  Directed by R Balki & Written by R. Balki , Rahul Sengupta and Rishi Virmani  the film takes us on an emotional ride into the life of a true athlete who defies all odds to achieve prominence in the world of cricket.

The role of Abhishek Bachchan is well suited and his acting execution is remarkable. This be his best work after  Master & Dasvi . There are minutes where his demonstration will help you to remember unbelievable  Amitabh Bachchan  particularly one talk where he characterizes  enchantment  in life is Superb.

Female lead , Saiyami Kher  is splendid as Anina, a young batting prodigy, loses her right hand in an accident.  She legitimizes the personality of an exceptionally-abled  cricketer  with  most  extreme  greatness and trains herself with unconditional techniques  to turn fate around. She became expert in Ghoomer , a new style of bowling  invented  to swindle  the opposite cricket  teams .

Shabana Azmi  loans a generally excellent help. Amitabh Bachchan appearance as Cameo  is an added feature  in  the movie of Balki. Truly  speaking  Ghoomer  will be  one of the best  film of 2023 amongst, which will be appreciated for spectacular  informal exchange on social issues .

Analysis:

Our Overall Critics rating is above average of the sub scores below:

Direction: 4/5, Dialogues: 3.5/5, Screenplay: 4/5, Music:3/5, Visual Appeal: 4/5

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SIRF EK BANDAA KAAFI HAI REVIEW : BRILLAINT MANOJ BAJPAYEE FINEST IN THIS GRIPPING COURTROOM DRAMA

SIRF EK BANDAA KAAFI  HAI REVIEW : BRILLAINT  MANOJ  BAJPAYEE finest  IN THIS  GRIPPING  COURTROOM  DRAMA

Sirf  Ek Banda Kaafi Hai story: Roused by genuine occurrences, this is the story of a  Legal Counselor in Jodhpur Court, who battles an extensive fight to get justice  to a minor girl sexually assaulted by a strong godman.

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Sirf Ek Banda Kaafi Hai review: When a popular godman is in the witness box for the sexual assault of a minor girl , you know the court show will be something beyond a clash of brains. The procedures goes into serious notes and kudos to Apoorv Singh Karki , Director of this film  for guaranteeing attention grasping story keeps you snared all through. Colossal obligation lays on the essayist to successfully pull off a film that generally depends on exchanges (contentions for this situation), which Deepak Kingrani experts in, whether inside the court or outside. The one individual who holds everything together solidly is  Manoj Bajpayee, very much like a  central character  .

The film is a biopic on a modest legal counselor from Rajasthan, advocate PC Solanki, who without any help carried equity to the minor young lady under the POCSO Act in the much-promoted so called godman's rape case. While legal counselors in court dramatizations are depicted to be amazing, advocate PC Solanki (Manoj Bajpayee, ) is a straightforward man living with his mom and child in Jodhpur. He takes on his contemporary protection lawyer (Vipin Sharma) with extraordinary certainty, yet it's charming to see him captivated and anxious when he faces enormous names from the legitimate world during the court procedures. Sirf Ek Bandaa Kaafi Hai is a well-informed story where the watcher will be loaded up with esteem at the expected level of effort on the public examiner Solanki's part, particularly in demonstrating that the survivor Nu (Adrija) is a minor and that the case should be attempted under the POCSO Act come what may, or other lawful bare essential.

The film, where just Solanki's name stays unaltered, while different characters are given screen names, handles the story with extraordinary responsiveness, even in the scenes when the safeguard asks Nu pointed inquiries about the episode or how carefully the police handle the case. It doesn't sensationalize the occasion while guaranteeing it's holding. Arjun Kukreti's cinematography supplements the tight heading and composing. The pursuit scene in the bylanes of Jodhpur when thugs assault Solanki is very much shot. Nu is being taken for a clinical assessment after the police grievance, and when she conceals her face with her dupatta, your heart goes out to her as it passes the disgrace is taking a stab at to stow away. Or on the other hand the scene when the case is won, and Nu remains by the window — her partly illuminated face appears to portray the expectation and the scars together. Sangeet-Siddharth Roy's experience score elevates the show, however in many occurrences, it moves domineering and removes the consideration from the discourse.

Sirf Ek Bandaa Kaafi Hai gloats of remarkable exhibitions, whether Adrija or Jaihind Kumar and Durga Sharma as Nu's hapless yet strong guardians, Vipin Sharma as the safeguard legal advisor (he acts outstandingly well in the scene he's barbecuing Nu and is embarrassed to get some information about the wrongdoing exhaustively). Yet, the star here is without a doubt Manoj Bajpayee. He shows ability, particularly in adjusting his characteristics while associating with various partners — Nu, her folks, his mom, his child, the adjudicators, the legal counselors he appreciates, and his aide. Not set in stone to terrified, profound, awestruck and shocked, he experts each subtlety. He sparkles in the scene when he separates, his mom consoles him, and they present a sonnet together and his end proclamation. He knows he's managing a country fixated on religion. Rather than making sense of why Baba should be rebuffed from a human or legitimate stance, he utilizes a language they'd comprehend. He cites the case of why Ruler Shiva would not excuse his most prominent admirer, Ravan. This was a splendid touch.

The film should not be missed for the uncommon narrating, show, and discoursed be that as it may, most importantly, for Manoj Bajpayee's remarkable presentation. You will applaud him as PC Solanki.

ANALYSIS

Our overall critic’s rating was above average of the sub scores below.

Direction: 4/5,Dialogues:4/5,Screenplay:4/5,Music:3.0/5,Visual appeal:4/5

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